This piece is a commission for a conservation ranger who works to maintain 100 acres of remnant bushland in SW Victoria, one of only three places in the world where Eastern Barred Bandicoots survive in their natural habitat. This species is classified as extinct in the wild, with only about 1,500 surviving in zoos and captive breeding programs.
The background is intaglio printed from a collagraph plate with pressed kangaroo grass, while the bandicoots are printed from a shape-cut linoprint. It was quite challenging getting the tone balanced across both processes and each of the eight prints are very different. I will have six prints available for sale at the next Port Fairy Community Market on 22nd December. The mounted print only is $80 and framed prints are $120.
“Migration isn’t a one-directional process – it’s a colossal process that has been happening in all directions for thousands of years.” ~ Mohsid Hamid
Tonight was the opening night of the “Overwintering” exhibition at Portland Bay Press. This is the first time my work has been in a show, so I was a little disappointed not to be able to attend. However, I will make sure to be there for the opening night of the “Upwelling” Festival in November. It is great to be part of a print-making community, where each of the members have different talents and interests and diverse printing styles. One of the members collects her own rocks and soils to create pigments and another is an expert in multi-plate copper etching. I hope to be able to learn from each of the members to improve my practice.
This collagraph image is my first using the “a la poupee” technique, which is a method of applying two or more different colours of pigment (usually oil based intaglio inks). It is a French term, which means “with a doll”, referring to the ball-shaped wad of fabric used to apply the ink. However, brushes, rolls of felt or a finger inside a sock can all be used to apply the pigment and wipe away with painterly effects.
“The ginkgo tree is from the era of dinosaurs, but while the dinosaur has been extinguished, the modern ginkgo has not changed. After the atomic bomb in Hiroshima, the ginkgo was the first tree that came up.” ~ Koji Nakanishi
Ginkgo biloba (or maidenhair tree) is a species of tree, native to China, with distinctive twin-lobed leaves. It has been widely cultivated for many centuries, as a source of food and traditional medicine. Scientists sometimes refer to it as a living fossil, because all it’s closest relatives are extinct.
I chose to make a collagraph of these leaves due to their unique shape and a graduated roll in yellow and green to represent the change of colour in autumn. Unfortunately I only had these colours in water-based inks, which dry too quickly for effective collagraphs. A better result could be achieved with oil-based pigments, to allow time to apply, wipe back and reapply for the desired effect. This plate is A4 size.
“Look deep into nature, and then you will understand everything better” ~ Albert Einstein
After another very productive day at Portland Bay Press, in the Julia Street Creative Space, I finished my entry to the “Overwintering” project. Congratulations to Kate Gorringe-Smith for initiating this wonderful project to raise awareness of our migratory birds.
Latham’s Snipe (Gallinago hardwickii) is a shy and cryptic bird that breeds in Japan and migrates to Victoria in the Spring and Summer. It was the existence of this bird at the Powling Street Wetland Reserve, in Port Fairy, that resulted in a VCAT ruling that a housing development be significantly scaled back to reduce habitat destruction. A committed group of local residents collected data that provided strong evidence that the site was crucial to the survival of this species.
This winter habitat is critical to the bird’s survival, as it is here that it builds up it’s fat reserves by foraging for plants and a variety of mud-dwelling invertebrates. The creamy-yellow, energy-rich fat is what fuels it’s flight across the equator to the northern hemisphere. This fat is also what made the species a valuable food source and caused it to be hunted extensively until bans were introduced in 1970-1980. The species is listed as Near Threatened in Victoria and nominated for the Flora and Fauna Guarantee. (SWIFFT)
As a Biology teacher, what fascinates me about this bird, is it’s remarkable structural, functional and behavioral adaptations that enable it’s survival. Millions of years of evolution have resulted in individual birds that instinctively navigate their way across the globe. Seasonal cues cause constriction of the gizzard and liver and enlargement of the heart to power it’s epic journey. Extraordinary feathered camouflage make it disappear into the rushes and reeds of it’s wetland habitat. (Birdlife)
“This simple process of focusing on things that are normally taken for granted is a powerful source of creativity.” ~ Edward de Bono
New Holland Honeyeaters are a common occurrence in our garden. They seem to love the Grevillea and Echium flowers, of which we have a few different species. This is a collagraph plate, produced from my old Botany herbarium, with the bird cut-outs pasted in. I chose one of my favourite colours, Payne’s Grey, for this print, to give it a smoky atmosphere.
Today I am working on another collagraph plate of Latham’s Snipe, for the “Overwintering” project and exhibition that may come to the Portland Bay Press gallery. I rented a unit in Port Fairy for a short time, opposite the Powling Street Wetland Reserve, which is a known spring and summer habitat for this endangered bird. This species begin their migration in February and depart northern Australia in May. Their breeding grounds are in Japan, so they are protected under the Japan-Australia Migratory Bird Agreement (JAMBA).
“The creative process is a process of surrender, not control” ~ Julia Cameron
This plate (in progress) is a collagraph – cardboard cutouts glued to mount board with three coats of shellac. The intaglio ink is applied with a stiff brush and then wiped away and reapplied in a painterly fashion. I plan to use a graduated roll – green to yellow – to add more interest to the repetitive shapes. I might try eucalyptus leaves as well.