My woodgrain prints are created by firstly selecting a suitable piece of salvaged timber, perhaps firewood or a slice cut from a fallen tree. A thin slice is then sanded flat and burnt with a blow torch to raise the wood grain. For each print, the relief ink is rolled onto the wood, damp paper is placed over the inked wood and then the back of the paper is pressed with a glass baren, to transfer the ink from the wood to the paper. For my ”One Forest” series, I use an ink pen to draw tiny little trees all around the perimeter of the wood grain print. For the ”Hollows” series, I print over the woodgrain with a linocut print.
After three markets at Port Fairy in Nov/Dec and several artworks delivered to various galleries, I am pleased to be able to start drawing and carving some new linocuts for the new year. I am continuing to explore woodgrain prints and native fauna that shelter in tree hollows. Best wishes for a very happy festive season and a wonderful 2022. Come and say hello at the New Year’s Day Community House Market in Port Fairy.
After several successful markets this summer, Saturday 30th January might be my last in a little while. Back to work means less time in the studio, although I will have a three day weekend!
I will be working towards the Printmakers exhibition at the F Project, Warrnambool, with the theme ‘Trees’. My work will still be available at Julia St Creative Space and Gallery in Portland, the Mud Gallery in Hamilton, Koopman’s in Dunkeld and the WADAS exhibit at Flagstaff Hill, Warrnambool.